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John Sinclair

The hardest working poet in the industry

[37] Sources: Bibliography & Notes E-mail
Fattening Frogs For Snakes
Wednesday, 28 December 2005 10:57
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SOURCES: BIBLIOGRAPHY & NOTES PRIMARY SOURCES: Robert Palmer, Deep Blues (New York: Viking Press, 1982) Samuel Charters, The Legacy of the Blues (London: Calder & Boyars, 1975; New York: Da Capo Press, 1977) Bruce Cook, Listen To The Blues (New York: Charles Scribner's Sons, 1973; New York: Da Capo Press, 1995) David Evans, Tommy Johnson (London: Studio Vista, 1971) William Ferris, Blues From The Delta (Garden City, NY: Anchor Press/Doubleday, 1979) Peter Guralnick, Searching For Robert Johnson (New York: Obelisk/E.P. Dutton/Penguin Books, 1989) Barry Lee Pearson, Sounds So Good To Me (Philadelphia: University of Penns +ylvania Press, 1984) Pete Welding, Liner Notes to Chester Burnett a.k.a. Howlin' Wolf (Chicago: Chess Records LP 2CH-60016, 1972) RECORD RESEARCH: Robert Dixon & John Godrich, Recording The Blues (New York: Stein & Day, 1970; series edited by Paul Oliver) John Godrich & Robert M.W. Dixon, Blues & Gospel Records 1902-1942 (London: Storyville Publications, revised edition, 1969) Mike Leadbitter & Neil Slaven, Blues Records 1943-1966 (New York: Oak Publications, 1968) Mark Ryan, Trumpet Records: An Illustrated History with Discography (Milford, N.H.: Big Nickel Publications, 1992) Phil Wight & Fred Rothwell, The Complete Muddy Waters Discography (Cheshire, England: Blues & Rhythm Publications, 1990) GENERAL: Big Bill Broonzy as told to Yannick Bruynoghe, Big Bill Blues (London: C Fassell, 1955; New York: Oak Publications, revised & with a new foreword by Charles Edward Smith, 1964) Stephen Calt, I'd Rather Be the Devil: Skip James & the Blues (New York: Da Capo Press, 1994) Stephen Calt & Gayle Wardlow, King of the Delta Blues: The Life and Music of Charlie Patton (Newton, NJ: Rock Chapel Press, 1988) Samuel Charters, The Poetry of the Blues (New York: Oak Publicatons, 1963) Samuel Charters, The Bluesmen (New York: Oak Publicatons, 1967) Samuel Charters, The Country Blues (New York: Rinehart, 1959; New York: Da Capo Press, revised edition, 1975) Samuel Charters, The Roots of the Blues (New York: Perigee Books/G.P. Putnam's Sons, 1982) Pete Daniel, Deep'n As It Come: The 1927 Mississippi River Flood (New York: Oxford University Press, 1977) Willie Dixon with Don Snowden, I Am The Blues: T ^he Willie Dixon Story (London: Quartet Books, 1989) David Evans, Big Road Blues: Tradition & Creativity in the Folk Blues (Berkeley: University of California Press, 1982; New York: Da Capo Press, 1987) Paul Garon, Blues and the Poetic Spirit (London: Eddison Press, 1975; New York: Da Capo Press, 1979) Paul and Beth Garon, Woman With Guitar: Memphis Minnie's Blues (New York: Da Capo Press, 1992) Alan Greenburg, Love In Vain: The Life and Legend of Robert Johnson (Garden City, NY: Dolphin Books/Doubleday, 1983) Peter Guralnick, Feel Like Going Home (London: Omnibus Press, 1978; U.S. publication: 1971) Peter Guralnick, The Listener's Guide to the Blues (New York: Facts On File, 1982) W.C. Handy, Father of the Blues, Edited by Arna Bontemps (New York: The Macmillan Company, 1941; New York: Collier Books, 1970) Sheldon Harris, Blues Wh αo's Who: A Biographical Dictionary of Blues Singers (New Rochelle, NY: Arlington House Publishers, 1979; New York: Da Capo Press, supplemented edition, 1981) Bruce Hilton, The Delta Ministry (New York: The Macmillan Company, 1969) LeRoi Jones, Blues People (New York: William Morrow & Company, 1963) Charles Keil, Urban Blues (Chicago & Londn: University of Chicago Press, 1966) Mike Leadbitter, Editor, Nothing But The Blues (London: Hanover Books, 1971) Margaret McKee & Fred Chisenhall, Beale Black & Blue (Baton Rouge: Louisiana State University Press, 1981) Giles Oakley, The Devil's Music: A History of the Blues (New York: Harvest Books/Harcourt Brace Jovanovich, 1978) Jas Obrecht, Editor, Blues Guitar: The Men Who Made The Music (San Francisco: Miller Freeman Books, expanded & updated edition, 1993) Paul Oliver, Blues Fell This Morning: The Meaning of the Blues (New ║York: Horizon Press, 1961) Paul Oliver, Screening The Blues: Aspects of the Blues Tradition (London: Cassell, 1968; New York: Da Capo Books, 1989) Paul Oliver, Songsters & Saints: Vocal Traditions on Race Records (Cambridge: Cambridge University Press, 1984) James Rooney, Bossmen: Bill Monroe & Muddy Waters (New York: HaydenBook Company, 1971) Mike Rowe, Chicago Blues: The City & The Music (London: Eddison Press, 1973 [asChicago Breakdown ]); New York: Da Capo Press, 1975) Tony Russell, Blacks Whites And Blues (New York: Stein & Day, 1970; series edited by Paul Oliver) Eric Sackheim, Editor, The Blues Line: A Collection of Blues Lyrics (New York: Schirmer Books/ MacMillan Publishing Company, 1975) Charles Sawyer, The Arrival of B.B. King (Garden City, NY: Doubleday & Company, 1980; New York: Da Capo Books, 1981) Jeff Todd Titon, Early Downhome Blues: A Musical and Cultural Analysis (Urbana: Universit zy of Illinois Press, 1977) Linton Weeks, Clarksdake & Coahoma County: A History (Clarksdale, MS: Carnegie Public Library, 1982) Pete Welding and Toby Byron, Editors, Bluesland: Portraits of Twelve Major American Blues Masters (New York: Dutton/Penguin Books, 1991) Karl Gert zur Heide, Deep South Piano: The Story of Little Brother Montgomery (London: Studio Vista, 1970; series edited by Paul Oliver)3.1.681
 
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