[13] Screamin" and Hollerin" the Blues |
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Fattening Frogs For Snakes
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Wednesday, 28 December 2005 10:34 |
Screamin' and Hollerin' the Blues
for Barry Kaiser & Warren Spottswood
"It was he who got me interested," Howlin' Wolf says of Charley Patton: "He had been up north somewhere & cut some records
for some company at that time & then had come back down there in the fall of the year, in the harvest time--
when people're picking the cotton-- to play for the folks. He'd go from place to place around there. He was playing by himself when I heard him--I was
just a kid, & my mama didn't allow me out at night. I couldn't go-- I'd have to slip off. That was the first I heard of him, & I liked it,
so from then on I went to thinking about music. It was he who started me off to playing. He showed me things on the guitar, because after we got through
picking cotton at night we'd go & hang around him, listen to him play. He took a liking to me, & I asked him
would he learn me, & at night, after I'd get off work, I'd go & hang around. He used to play out on the plantations, at different one's homes out there.
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"They'd give a supper, call it a Saturday night hop or something like that. There weren't no clubs like nowadays. Mostly on weekends
they'd have them. He'd play different spots--he'd be playing here tonight, & somewhere else the next night,
& so on. He mostly worked by himself because his way of playing was kind of different from other peoples. It took a good musician
to play behind him because it was kind of off-beat & off-time, but it had a good sound
the way he played. I never did work with him because he was a traveling man. In the spring of the year he'd be gone--he never came in
until the fall. He followed the money. When spring came, why, he'd generally go up north someplace, maybe New York
or Chicago. He mentioned he traveled a lot. He couldn't make too much money in Mississippi
in the spring of the year because people didn't have any money until harvest time. He'd always come back in the fall.
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"He was a real showman," the Wolf remembers. "When he played his guitar, he would turn it over backwards & forwards, & throw it around
over his shoulders, between his legs, throw it up in the sky! He was more a clown than he was a musician,
it seems. But I never did hear nobody else playing like him--playing that bass, patting on the guitar--nobody mocking &
using his patterns much. Charley's music was what you would nowadays call old-fashioned folk singing, stuff like that. But there weren't
any people around could play that old stuff like Charley. I felt like I got the most from Charley Patton."
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"Charley was the big man in the area," Son House told Lawrence Cohn. "Everyone knew Charley Patton. He made
a whole lot of records, you know, & he was the one who got me the contract with Paramount. He was just
a liitle guy. Maybe 5'6" & 140 pounds, but he was the strongest singer around. He was a fine
guitar player, too. We used to play the juke joints a lot. Boy, were they rough! Every Saturday night someone got cut up
or killed. I'd leave when the rough stuff started-- even though they never bothered the musicians,
I wasn't taking any chances. The white people liked our music fine. Anything fast & jumpy
went over. They didn't like to hear any church music, though. I played in a church once, in Arkansas. Also in Dr. McFadden's medicine show
one time. He sold medicine all over Mississippi, especially 'round Drew. I used to get on a small stage
& play just as loud as I could to attract the attention of the people. Boy, we sure sold lots of medicine."
Bath, Michigan March 8, 1985/ New Orleans March 6, 1998/August 31, 1999
3.1.659 |