[03] The Wolf Is at Your Door |
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Fattening Frogs For Snakes
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Saturday, 24 December 2005 12:15 |
The Wolf Is At Your Door
for Pete Welding
People back then, Johnny Shines has said, thought about magic & all such things as that.
I didn t know it at the time, but Wolf was a tractor driver. As far as I knew, he could have crawled out of a cave,
a place of solitude, after a full week's rest, to serenade us. I thought he was a magic man
he looked different than anyone I d seen, & I come along and say, 'A guy that played like Wolf, he d sold his soul to the devil.
2
Chester Arthur Burnett, born June 10, 1910 in West Point, Mississippi, east of the Delta, near Tupelo,
moved with his family to Young & Morrow's plantation near Ruleville, in 1923 when the young Wolf was 13.
I got my first guita in 1928 the 15th of January, the Wolf told Pete Welding. My father bought it for me
before we left Ruleville. We were living out there on the Quiver River on Boosey's plantation. At that time I was working on the farm
with my father, baling hay & driving tractors, fixing fences, picking cotton & pulling corn.
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There was a lot of music around there work songs. Some of the fellows d just get out there & sing as they worked
plowing songs, songs to call mules by. They d get out there mornings & get to plowing
& get to hollering & singing. They d make up these songs as they d go along. See, people make up their music
just like you think about what you want to do. They make their sound & their music
just like they feel, & they sing like they feel. They made up the worksongs as they felt. If they felt
somebody had taken something from them, that's what they'd sing about however they felt.
4
It was in the late 20 s when I decided to go out on my own. I just went running round thru the country
playing like Charley Patton & them did. The places I d hit I d go to Greenwood, Winona, & back to my home,
West Point, Mississippi, & go to Columbus, & then Indianola & Greenville, Mississippi. Then I d come over
to the Arkansas side of the river around West Memphis & Parkin, & Pine Bluff & Brinkley, Arkansas. Just all thru
the cotton belt country, & mostly by myself. When I started to playing guitar & blowing my harp,
anything come to mind I d just sing it & rhyme it up & make a song out of it. Mostly
I d just take things I heard from people around there. I don t think I got any of my music from church because, well, I never did
go to church much. I just picked up music, just playing guitar. I mostly just stayed in the country, farming.
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It was Sonny Boy Williamson the second one, Rice Miller who learnt me harmonica.
He married my sister Mary in the 30s. That's when I met him; he was just loafing around,
blowing his harp. He could blow, though. But he lived too fast he was drinking a lot of whiskey, & that whiskey killed him.
Sonny Boy showed me how to play I used to strum guitar for him. See, he used to come there
& sit up half the night & blow the harp to Mary. I liked the harp, so I d fool around, & while he's kissing Mary,
I d try to get him to show me something, you know. He d grab the harp & then he d show me a couple of chords. I d go round the house then, & I d work on it.
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It was somewhere around this time that I met Robert Johnson. Me & him played together, and me & him & Sonny Boy
played together awhile. I met Robert in Robinsonville, Mississippi his mother & [step]father stayed out there. I worked
a little while with him around thru the country we was playing around Greenwood, Itta Bena & Moorehead. We didn t stay
together too long because I would go back & forth to my father, & help him in the farming.
I hung around with Robert about two years, off & on. He traveled a lot.
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When I d go out on them plantations to play, the people played me so hard they look for you to play
from seven o clock in the evening until seven o clock the next morning. That's too rough. I was getting about a dollar & a half,
& that was too much playing by myself. People would yell, Come on, play a little, baby!
A bunch would come in, & they was ready to play & dance. So I decided I would get a band,
get two or three more fellows to help me out that was in West Memphis in 1948 when I formed my own band
& began to follow music as a career. We played all through the states of Arkansas, Alabama, Mississippi, & Missouri.
The band was using all electric, amplified instruments at that time.
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I was broadcasting, too, on a radio station in West Memphis, KWEM. I had a steady job on KWEM. It came on at 3 o clock in the evening.
It was in 1949 that I started to broadcast. I produced the show myself, went around & spoke to store owners
to sponsor it, & I advertised shopping goods. Soon I commenced advertising grain, different seeds such as corn,
oats, wheat, then tractors, tools & plows. Sold the advertising myself, got my own sponsors.
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After moving to Chicago, I found it easy to get into those clubs, playing my music, because the people had heard about me
before I came the records were out before I came to Chicago. Right off, I started playing in a place at 13th & Ashland. Muddy Waters
had been playing there at that time, & they put me in there . Then I went to stretching out all across town.
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Now, I don't think my music has changed much over the years,
not much really, but of course I did have to step up with the tempo. I used to play
very slowly, but I had to come up with the tempo of today. Well, now, near about everybody
got that rocking sound. Well, I just tried to have a good sound & play something different my music!
Bath, Michigan March 8, 1985/ New Orleans March 5, 1998
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